Thursday, August 8, 2024

Review: Mirrored Heavens

Mirrored Heavens (Between Earth and Sky #3)Mirrored Heavens by Rebecca Roanhorse


This is a review without stars. I DNF'd this book.

I dislike extensive chapters based on some character's internal monologue. This book has an early chapter featuring an internal monologue from/with a character that I don't care about. It got in the way of the narrative of the main characters that actually matter to the plot.

Life is too short to have reading be a chore.

I didn't think it was fair to provide a star rating based on a few chapters.

View all my reviews

Thursday, August 1, 2024

A Brief Tour of Mastadonia

I opened up an account on Mastodon a while back to see how that environment has developed in the wake of the exodus of the "oppressed" from X (formerly known as Twitter).  I followed a few hashtags for topics in which I am naturally interested.  My account is on mastodon.social rather than part of one of the many personal fiefdoms created as part of that distributed network.

Many writers flounced out of X due to the alleged overwhelming presence of fascism, racism, homophobia, transphobia, commonsense, blah-blah, etc.  Any idea that slightly diverged from leftist opinions of the moment was called intolerable.  Mastodon was one popular destination.

My exploration began with topics of personal interest that were mostly related to genre fiction.  I explored some political topics as well.

My first impression is that there wasn’t much activity related to Worldcon or the Hugo Awards.  There also wasn’t a lot of activity related to several genre-associated hashtags.  Given the number of genre authors doing their Dorian Grey impression, I would have expected more activity related to those topics.  There was precious little activity related to those hashtags.  [I eventually identified some other genre-related hashtags that are more active.]

Later on, we had the misfortune of the attempted #assassination attempt on #donaldtrump.  For clarity, it was fortunate and good that he survived.  Political violence is always a bad idea.

A check of the hashtags #trump and #assassination in the days following the attempt suggests to me that the Mastodon admins are purposefully censoring or otherwise throttling which topics are allowed to trend on that platform.  The hashtag stats suggested that few were talking about the event.  A review of the search results of posts on Mastodon indicated that many people WERE talking about that event.  The hashtags were included in the text of various posts, but a hashtag search didn’t correlate well with a post-based search. 

Conversely, both tags were quite active on X.  I cannot say that the tag search and the post search accurately reflected each other on X.  Only that both were active.

There is also evidence of censorship/down-platforming/throttling of certain Mastodon accounts.  Doing topical searches, I found several accounts that Mastodon admins had purposefully muted.  You could still click through to read what they have posted, but you do get a notification that the account has been muted.

None of the accounts I found (roughly 5, so not a big sample) had posted anything overtly offensive unless one holds that moderate disagreement with leftist positions is ipso facto proof of offense.  Comrade Stalin would be proud.

It would be unsurprising if I learned that my account had already been deprecated or otherwise throttled.

Individually, Mastodon users generally (exceptions to everything) appear to lack any interest in critically engaging with diverse viewpoints.  One recent example was a discussion in the wake of the tableau from the opening ceremonies of the Paris Olympics that was designed to invoke da Vinci’s Last Supper.

My interlocutor responded at some point with “artistic license”.  I pointed out that the artists were appropriating another culture and that I am reliably informed that cultural appropriation is an unacceptable behavior.  Having nothing to offer in response, they blocked me.

Casual accusations of racism, sexism, blah-blah, etc. are routine.  I’ve already been called racist despite not once offering any opinion that relates to race in any reasonable manner.  Again, Comrade Stalin would be proud.

Before Elon Musk purchased Twitter/X the platform was infamous for quietly throttling accounts expressing opinions that were modestly right-of-center.  There was a two-tiered system of moderation in which the slightest of infractions by someone right-of-center would engender suspensions, throttling, and bans while identical (if politically inverted) behavior from left-of-center accounts would be overlooked.  [I came across a recent thread on Mastadon about abuse on that platform.  So leaving Twitter didn't really solve any problems, eh?]

After purchasing the site, Elon revealed exactly how biased the prior administrative efforts had been.  Many normal reasonably centrist and modestly right-of-center accounts were restored.

It appears that the Mastodon user base prefers to live in a mutually affirming silo.  The platform is distributed so that people may create private chatrooms where they can police ideas into conformance.  And that choice is their absolute right!

Yet they still are tolerating extreme forms of authoritarianism in their midst.  I found many profiles using Che Guevarra and communist Hammer-and-Sickle images as profile icons.  Other accounts will readily endorse socialism and/or communism as viable alternatives to liberal democratic capitalism.

Most informed people will recognize that socialism/communism continues to have a higher body count than fascism.  Socialism/communism also continues to foster higher rates of poverty and murder by state actors.  Ask the citizens of Venezuela about it.

While Mastadonians have cleared Hitler, the Nazi cross, and real fascism from their social media environment, they have left far more offensive, destructive, and murderous opinions untouched.

None of this is particularly surprising.  Nor is it unique to left-leaning folks.  People on the right (with some obvious exceptions) have seemingly lost the ability to participate in good-faith engagement with people who hold different opinions.  The number of right-leaning accounts that are comfortable with using helicopter memes to address communists is quite…well…deplorable.

People in all corners of the political pool only seem to want to assuage their emotions by participating in the vibe.  Labels matter more than substance.

Me, too…from time to time.  But I try to be aware of the problem.

Mastodonia isn’t a solution.  It is a reflection of the problem of reacting to conflict by shutting out contrary perspectives.  Siloed communities are not a solution.  Good faith engagement is the only solution.  I don’t see it coming back in fashion anytime soon.


Sunday, July 21, 2024

Hugo Nomination Pool for 2025

Novel


Novella

Ghost of a Neon God by T.R. Napper - Napper is the underappreciated modern master of cyberpunk.  This novella examines our relationship with technology and considers the morality of dealing with a truly sentient AI.


Fancast

The Cinema Stories Podcast - Thus far this year, author/podcaster Paul Hale has surveyed Disney's Frozen and the Hanna-Barbera version of Charlotte's Web.  Paul routinely provides an entertaining and educated comparison between written stories and the movies they have inspired.


Series

Arcana Imperii series by Miles Cameron.  MilSF inspired by the the trading ships of old Europe as well as the great naval battles of WWII.

Friday, June 7, 2024

Review: Translation State

Translation StateTranslation State by Ann Leckie
My rating: 2 of 5 stars

This is a 2-star DNF review.

My patience for authors that focus on the "guess a gender" game is gone. The last Ann Leckie book I read I did finish...but wish I'd given up sooner as it had plenty of other problems.

View all my reviews

Hugo 2024 - Best Novel

As is my habit, I am buying and reading all the novel finalists for this year's Hugo Awards.  This is how my ballot will line up.  

  1. Some Desperate Glory by Emily Tesh [currently reading] - This book reflects the best of genre fiction.  It asks the reader to consider a great many presumed perspectives.  There is an underlying theme of asking people to listen to one another that I find powerful.  There are other themes in the book that I will challenge in a longer review of the book.  The fact that there are challenging themes is part of what makes this a great work.  The author has crafted compelling characters and circumstances that motivate the reader to continue reading despite some of the kookier ideas presented.  There are some serious identitarian themes presented in the book.  I think it is useful to point out that while another serious identitarian finalist was a hard DNF, this one is a hard "have to finish".
  2. No Award
  3. Starter Villain by John Scalzi - This one will get a 4-star review on Goodreads.  John Scalzi does what he does best.  He creates relatable characters in reasonably relatable circumstances that draw the reader into the story in a way that motivates you to finish the book.  The first quarter of the book is pretty much a normal person going through normal bad times slowly sliding into a "excuse me what do you mean by that!!??!" sort of world.  You are buckled in for the entire ride.  The book exhibits a lot of John's wit and humor and is quite fun to read.  I won't spoil a good reading experience, so go read it.  So why is this below "No Award"?  Because this is a lightweight story.  The ending is telegraphed early on.  There are multiple instances where any normal person would have acted differently and concluded the story faster.  Starter Villain is almost on par with books like Piers Anthony's "On A Pale Horse" and other entries in the Incarnations of Immortality series.  I recommend those books as well.  They are entertaining with several deep messages woven into the series.  Starter Villain lacks any serious depth beyond some mildly "woke" (for lack of a better term) elements.  It simply is not in the same category as the works that have been awarded the Hugo.  Worth buying and reading.  Not one of the 6 best books of 2023.
  4. Witch King by Martha Wells - I have thoroughly enjoyed (most of) Wells' Murderbot series of books.  She writes with great empathy and detail.  She invites the reader to experience different perspectives.  In Witch King, our supposed protagonist is a demon who has inhabited the body of another person.  The first act of possession was supposedly of a willing person.  The rest were not.  The single greatest flaw in Witch King is the presumption that the demons are benevolent and that the antagonists are evil.  We are shown that demons have great power that can be used to destructive ends.  We never learn what motivates them to interact with humanity much less how they might be morally constrained from wreaking havoc on the world.  A decent book.  But not one of the six best books of the year.
  5. The Adventures of Amina al-Sirafi by Shannon Chakraborty - Conceptually, this was a really intriguing book.  The book presumes to tell a fantastic tale akin to some of the great fantasy tales in the Western tradition but from an Arab perspective.  As someone who grew up with many Sinbad stories, I was ready to warmly welcome a more native telling of a fantasy set in that region.  If one sets aside the hypocrisy involved in painting early Islam as tolerant of independent women, Amina al-Sirafi is a fine read.  Also, the book hides a lot of information from the reader.  The person relating the story tells the reader directly that they are lying, but they will get to the truth eventually.  This technique is an unclever method for stretching a good novelette into novel length.  And it frustrates the reader.
  6. The Saint of Bright Doors by Vajra Chandrasekera - plain DNF.  No connection with the characters.  No real progress in the story.  I made it over halfway through the book before I just couldn't take it anymore.  I've got a half dozen books waiting in my Kindle that I already know will be better than this.  Definitely not one of the six best books of the last year.  People really need to start ignoring Locus for this sort of thing.
  7. End of Ballot
  8. Translation State by Ann Leckie - Hard DNF.  I've really got no patience for the "guess a gender" authors anymore.  My last experience with the Radsch Empire ended poorly.  I gave this one a chance but "noped" out early on.
All of the books that I nominated were better than the books that ended up below No Award.
  • The Ferryman by Justin Cronin 
  • Yumi and the Nightmare Painter by Brandon Sanderson
  • House of Gold by C.T. Rwizi
  • Stand Alone by John Van Stry  (the weakest of my nominees, still better than this stuff)

Friday, April 5, 2024

Review: The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation

The Gulag Archipelago [Volume 1]: An Experiment in Literary InvestigationThe Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation by Aleksandr Solzhenitsyn
My rating: 4 of 5 stars

This is a 4-star review. My experience was closer to 3 stars, but I think the subject is important and the experience of reading about it is useful for those who haven't spent the last few decades reading about the details elsewhere.

The author, Aleksandr Solzhenitsyn, lived through the communist revolution that turned Russia into the USSR. He was imprisoned.

I'd like to say that he was imprisoned because he had thoughts and beliefs that didn't align with the dominant Soviet communist ideology, but the reality is that the Soviet communists used prison as a terrorist tactic. Anyone could be tossed in prison for the flimsiest of reasons (or no reason at all).

The ultimate objective of the Soviet communists was to create a populace that would never question communist rules.

My problem with the book is that the first portion of the book is filled with broad-brush descriptions of how people ended up in prison and the other tactics used by Soviet communists. There are few details. No statistics. Few names with details of their cases.

I have spent the better part of 40 years reading about how all communist states treat their people. In those 40 years, I have read more detailed descriptions of the very same circumstances.

Few people had the advantage of knowing what the Soviet communists were doing back when this book was first published. What made this book great at that time was that it revealed so much new information. These were the first experiential building blocks in an argument against communism.

Today we have the benefit of more detailed accounts and analyses. Mortar to fill the gaps between those blocks.

This is a great starting point for someone who has no exposure to the deprivations of communism.



View all my reviews

Monday, March 4, 2024

Review: Way Station

Way StationWay Station by Clifford D. Simak
My rating: 3 of 5 stars

This is a 3-star review. That is a charitable estimate of my experience with this book. I was expecting the classic of the SF genre and Hugo Award-winning "Best Novel" to be much better.

The basic outline of the book is that our protagonist, Enoch Wallace, lucked into being contacted by an alien from outer space. The alien, named Ulysses by Enoch, asks Enoch to manage an intergalactic waystation.

Essentially, beings are tossed across the galaxy. Dust and other galactic ephemera limit the distance that can be traveled in a single jump. Waystations are required to permit travelers to reach farther destinations.

There are two major and a few minor elements of this book that undermine the reading experience.

The first major element is the consistent use of internal monologues. Enoch carefully weighs each decision in his mind. He also reflects on the many new cultures and friends he has experienced courtesy of his position as a stationmaster.

We rarely see Enoch interacting with other characters. We do not learn about new cultures and new alien species as part of regular interactions. Enoch just reflects and emotes. This one factor alone almost caused me to not finish the book.

There are extended segments of the book where Enoch is faced with the choice between joining the galactic co-fraternity and leaving Earth or remaining on Earth with the hope that his new knowledge and experiences will help humanity survive. The essence of these sections is that this decision is hard. Not a surprise, but not terribly interesting after the first few pages of dithering.

This book is a classic example of why "showing" is better than "telling".

The second major element is the use of so many different aspects of alien cultures and technologies. One section will focus on a new system of mathematics. Another section will focus on alien "thaumaturgy" as a method for focusing spiritual essence to create a new being.

Some of these sections pay off at the end of the book. There are extended discussions with Ulysses about intergalactic politics influencing where new waystations are located.

Other sections just pad the number of pages. Enoch creates some spiritual friends using alien thaumaturgical techniques. They end up drifting away after Enoch fails to ignore the fact that they do not have and will never have a physical aspect. The presence of thaumaturgical "science" has no influence on the outcome of the book.

It is as if the author could not decide which genre tropes he wanted to use. In his moment of indecision, he found himself using all of them. The result is a reading experience that wastes time on marginally explored and incomplete plot lines.

There were a few minor nits to pick.

The waystation system appears to exist solely for the transport of individual entities. It is never obviously used for the transport of freight. Here in reality-land, most transportation involves moving stuff rather than people. As the galactic system appears to be focused on colonizing new worlds, the absence of any freight traffic is a bit odd.

Within the book, there is an object referred to as the Talisman. It ends up being a sort of McGuffin. The Talisman is a device that is used by a spiritually sensitive person to connect various populations with a spiritual essence. The sensitive person travels with the Talisman to each world. They turn it on and the Talisman's connection with spiritual essence fosters peace for that world/population. As a secondary effect, a world where the Talisman has not yet traveled still experiences a sense of hopefulness, peace, and unity with the rest of the galaxy based on the possibility that the Talisman might eventually visit their world.

The entire concept appears to be an attempt to obtain the positive benefits of religion without the perceived obligations and objections that come with belief in a specific religion. It creates an appeal to authority without the need for anyone to submit to that authority.

Which leads to a final criticism. Enoch is of the belief that the various peoples of the rest of the galaxy are in some morally superior to humanity. He presumes that by dint of their acknowledged technical superiority, those peoples are peaceful, cooperative, and otherwise better. Humanity on the brink of nuclear war is considered to be below the standard for acceptance into the galactic co-fraternity. Various non-humans seem to confirm Enoch's self-denigratory perspective.

Yet at the end, a non-human shows up having stolen the Talisman. They are quite willing to commit acts of violence in the furtherance of their unexplored scheme. We also learn of factionalism within the galactic government based on competition for scarce resources as well as for the opportunity of pursuing policies that validate the pride and narrow interests of certain members of the galactic government.

Sounds an awful lot like Earth and the conflicts that occur between our nations and even between various cultural groups within a single nation.

"Waystation" is worth reading once for those interested in the overall history of the speculative fiction genre. Outside of that motivation, I see little to recommend in this book.


View all my reviews

Thursday, February 22, 2024

Review: Tower of Silence

Tower of Silence (Saga of the Forgotten Warrior, #4)Tower of Silence by Larry Correia
My rating: 5 of 5 stars

This is a 5-star review, but it's closer to 4.5 stars.

Why the 1/2 star deduction? There were a few instances where the characters dropped into using early 21st-century idioms. And this is part of a series, so the tale is incomplete.

This is a solid entry in the Saga of the Forgotten Warrior series. Our hero Ashok finds himself on Fortress, a nearby island. He should be dead, but he isn't. And he has to find his way back to the mainland so he can return to guarding Thera.

In the meantime, the prophet Thera and the priest Keta must continue to lead their people despite Ashok's absence.

More people encounter some aspect of the Forgotten Warrior. They begin to suspect that their culture is not all they were told.

I don't want to go into too many details as they would spoil this book and it is a tremendous read. I will say that for a book with so many serious characters, it also has well-crafted moments of bust-a-gut humor.

There is never a page where you aren't interested to see what comes next.

View all my reviews

Wednesday, February 21, 2024

Carolyn Callendar - In Memorium

The year was 1981.  I was taking Advanced Composition in my junior year of high school.  Carolyn Callendar had the misfortune to be teaching the class that year.

Mrs. Callendar taught the class every year, so she bears some responsibility for what followed.  

It was a great class.  She gave us daily and weekly assignments.  Mostly they were writing prompts that we could take in any direction.  Such an open-ended invitation proved advantageous to our group of young writers.

Mrs. Callendar had her preferences.  One of us had a knack for ethereal treatments that I will stereotypically describe as "butterflies, flowers, and rainbows".  That student always got an A on their work.  The rest of us had to work for it.  Or so it seemed to us at the time.  Young student writers have a tendency to be precious about their early work.

My personal favorite piece was an extended bit of poetry that I produced in collaboration with my best friend.  It was a dark and moody piece that was inspired by the works of Stephen King, Edgar Allen Poe, and who knows what else.  We had the "dark" knob turned up to eleven.  Naturally, we both lost our copies so it exists now as a vague reminiscence of our clear literary genius.

As one might expect, the class went through phases.  The band RUSH released their quintessential album, "Moving Pictures", that year.  The second track was the science fiction inspired song "Red Barchetta".  The titular automobile had been saved in an old white-haired uncle's barn.  A relic from before the Motor Law being chased down by gleaming alloy air cars.  The driver was subsequently saved by a one-lane bridge that the air cars could not cross.

We were largely unaware that RUSH's primary lyricist, Neil Peart, had found inspiration in a piece of fiction that was first published in the November 1973 issue of "Road and Track".  That story, A Nice Morning Drive written by Richard S. Foster, told the story of an old MGB roadster.  Rendered obsolete by wave after wave of modern automobile safety standards had made surviving car crashes not only likely but predictable.  The drivers of the newly designed cars expected to walk away from accidents unscathed.  As a result, drivers of these Modern Safety Vehicles began targeting older vehicles leaving them in mangled heaps.  Those driving older cars were likely to be left in a similarly mangled condition.  The price for driving a classic.  And so the driver of the old MGB engages in a race for his life pursued by a pair of MSVs.

Courtesy of Neil Peart's retelling of A Nice Morning Drive in Red Barchetta, a series of automobiles entered our classroom zeitgeist.  We subjected Mrs. Callendar to seemingly endless stories that involved red sports cars.  The model of the car would shift to suit the moods and tastes of various authors.  Sometimes it was only glimpsed under a protective tarp.  Other times the car would tear along country roads kicking up a stream of fall leaves.

We began to perceive that Mrs. Callendar was dissatisfied with our seeming enchantment with red sports cars that appeared in our work.  So we shifted to blue sports cars.  She was not amused.  I think she secretly was amused.

Our appreciations of the roadster (red, blue, or otherwise) lasted a few weeks before Mrs. Callendar put a kind but firm end to our vehicular ruminations.  Automotively-inspired expositions were no longer acceptable subject matter for the course.  A few essays later in the year reprised our earlier fascination with motorized conveyances.  She accepted these brief automotive interludes with humor and grace while simultaneously assuring the class that she would throttle any attempt to return to those halcyon days of transportational bliss.  The fuel gauge was on "E" where cars were involved.

Mrs. Callendar retired a few years later.  She and her husband moved to Georgia where they enjoyed the company of their grandchildren.  She also enjoyed playing bridge and reading books, naturally.

Carolyn Callendar passed away in 2022.  While I don't know what comes next, I'd like to imagine that somewhere she is at the wheel of a red roadster from a better vanished time.  Naturally, she would be gaily driving along with the top down, the wind whipping her hair, and stirring up a steady stream of autumnal yellow, red, gold, and brown.


Sunday, February 4, 2024

Sexualizing Children??

This entry is part of an ongoing conversation taking place from time to time at File770, among other locations.  As is frequently the case in passionate discussions, the topic tends to shift depending on the speaker.

For the most part, my interlocutors are aghast at the many legislative efforts to limit the books that are available in public libraries and public schools.  And honestly?  I share their concerns.  Many of the books that end up being impacted by these initiatives are things that I read decades ago.  Many of the newer titles are equally unworthy of attention either legislative or administrative.  

Reasonable people can disagree about the relative merit of a children's book that features a farting main character.  No reasonable person would suggest locking up a teacher or a librarian for including it in a school library.

The problem is that books featuring farting characters, or books by George Orwell (irony!) are not the subject matter that is driving the issue.  Focusing on farting characters or on "To Kill a Mockingbird" or any other largely inoffensive work is a purposeful attempt to deflect the discussion away from the core issue.

Sexualizing children.

What follows is very much my part of an adult discussion that involves adult materials.  If raw images of sexual body parts offend you, then please move on to something else.  I have some very nice book reviews to read.

For everyone else...

Tuesday, January 16, 2024

Review: Aliens: Bishop

Aliens: BishopAliens: Bishop by T.R. Napper
My rating: 4 of 5 stars

T.R. Napper gets invited to play in the world of Aliens. Here we learn that Colonial Marines Master Sergeant Apone has a brother. His brother is a Captain in the Colonial Marines who is charged with tracking down Michael Bishop. Bishop is the progenitor of the Bishop series of androids. He also has a desire to investigate and exploit the xenomorphs.

The mission to track down Michael Bishop reveals an opportunity to recover the physical remnants of the Bishop android from the Aliens movie. (That is the one with Newt.) Eventually, it becomes clear that Michael Bishop has grown more xenomorphs. Captain Apone wants some payback for the death of his brother.

The events of the book take place after the Aliens: 3 movie as one of the survivors of the prison planet eventually becomes part of the story.

Napper does an outstanding job of filling out each character with unique motivations and history. There are many events where characters are faced with choices that pit a desire to settle past grievances with the desire to survive in the face of low chances of survival. Collectively and individually, they demonstrate the grit needed to rise to the most lethal of challenges.

The book provides us with a raft of new characters and events without breaking the lore of the Aliens fictional world.

View all my reviews

Monday, January 15, 2024

Review: System Collapse

System Collapse (The Murderbot Diaries, #7)System Collapse by Martha Wells
My rating: 3 of 5 stars

While I have thoroughly enjoyed the rest of the books in The Murderbot Diaries, I found this installment to be a bit pointless. We don't learn anything new or interesting about Murderbot.

Read the rest of the series. It's very well written. If there ends up being an eighth installment, then be sure to read this book. But if this is the end of the line, then you can stop at the sixth installment and not have missed much.

View all my reviews

Monday, December 4, 2023

Spotify 2023

We have arrived at that time of year when Spotify rounds up the statistics related to my music listening over the last year.

It turns out that I have listened to 4,039 songs this year for a total of 31,783 minutes.  That works out to about 87 minutes per day.

Peak listening was on August 26th with 776 minutes or almost 13 hours in one day.  I was in the top 11% of listeners.  I promise to do better next year, Spotify.

I listened to 1189 artists.  Finding a new artist and doing a deep dive into their catalog is a favorite activity.

The band I listened to the most was Styx at 995 minutes.  I was in the top 0.5% of all Styx fans.

My top five artists:

  1. Styx
  2. Rush 
  3. Queen 
  4. K/DA 
  5. Van Halen 

The five songs that I played the most were by K/DA.  I blame YouTube.  The song/video Pop Stars was recommended to me last spring.  It is a very catchy tune with an awesome video.  Whenever I need a little pick-me-up, I add a little K/DA to the music queue.

My top five songs:

  1. Pop Stars by K/DA
  2. More by K/DA
  3. The Baddest by K/DA
  4. Drum Go Dum by K/DA
  5. I'll Show You by K/DA

You can see the whole wrap-up on Spotify here

Diplomacy - December 7th

This isn't my story to tell, but it is a story that should not be lost to the mists of time.  Credit to The Diplomad/Lewis Amselem.

A Little Lighthearted Diplomatic Mayhem re Pearl Harbor

I served in Guatemala in the 1980s. While there, I attended countless diplomatic receptions and functions. Most have long slipped from my memory. One, however, I always remember when December 7 rolls around.

Among others in the U.S. Embassy, I got invited to an event at the Japanese Embassy in honor of the Emperor. You guessed it, the reception was on December 7. A couple of us joked about it, but, off we went. Japanese receptions were always among the best: superb food and drink; everything artfully and tastefully done; and their diplomats were nice, well informed, and seemed to like Americans. As the party was winding down, I slid over to one of my Japanese contacts and kidded him about the date, "You have guts throwing this event December 7."

He seemed perplexed, "We decided to hold it today instead of tomorrow, because of American sensitivities about that day."

Now I became the perplexed one, "What's so sensitive for us about December 8?"

My Japanese friend looked at me as though I were the biggest ignoramus on the planet, he whispered, "You know, Pearl Harbor attack day."

I couldn't help but laugh at this bit of international miscommunication. I told him, "On this side of the international date line, the attack took place on December 7."

He, however, did not laugh. Mortified, he turned bright red. I thought he would order the entire staff to commit seppuku on the lawn. He was so embarrassed, I got embarrassed. He could not stop apologizing for the error; I started apologizing for having brought up the matter. For weeks afterward, whenever he saw me, he would apologize; I would apologize, too.

A day after the reception, the Japanese Ambassador sent our Ambassador a bottle of very expensive sake with a long note. Our Ambassador, a wonderful, rough, tough oil man--and a Marine in the Pacific during WWII--called on me in a staff meeting, "What the hell is this about? Why is the Japanese Ambassador apologizing to me?"

I explained.

He smiled and said, "Ah! Well, then this is yours." He handed me the sake.

It is my privilege to be the host/MC for this year's Pearl Harbor Day observance being held at the USS Arizona Memorial of Michigan.  The ceremony begins at 1 PM.  Please attend if you can.

Review: MARVEL-VERSE: AMERICA CHAVEZ

MARVEL-VERSE: AMERICA CHAVEZMARVEL-VERSE: AMERICA CHAVEZ by Kieron Gillen
My rating: 3 of 5 stars

This is a 3-star DNF review.

I don't recall why I picked up this book. Someone was mentioning America Chavez as an underutilized character. I thought I'd give it a shot.

I enjoyed the artwork. It was pretty standard Marvel art. I enjoy standard Marvel art.

The story was OK. Not great, but enough that I'd usually keep moving on.

America has two moms. Ok.

Then there are two male characters that seem into each other. Ok.

Then America goes into a house flying a rainbow flag - to have a make-out session with her girlfriend.

A couple of those elements and I'd have continued on. Everyone has to make room for everyone else. But the book was turning into an identitarian screed bent on excluding non-gay characters while hiding behind the tatters of a superhero story.

Moving onto something better as quickly as possible. Dorothy Parker can have her fun.

View all my reviews

Thursday, November 30, 2023

Review: Stand Alone: Wolfhounds - Book One

Stand Alone: Wolfhounds - Book OneStand Alone: Wolfhounds - Book One by John Van Stry
My rating: 5 of 5 stars

This is a 5-star review. My experience is closer to 4.5-stars, but this a great book. Go read it. Some modest spoilers are in my summary. Just go read the book.

Our protagonist, Chase, is not what he seems. Only he doesn't know it yet.

The society he inhabits is somewhat stratified. There are the common folks living common lives. It appears that moderate success is available to anyone who elects to put in the effort.

Then there are the "royalty". In reality, these are the genetically enhanced humans who can interface with artificial intelligence systems. Being genetically enhanced, the AI interfaced is passed down to their children. Humanity had previously experienced AI systems run amok. It took wars for humanity to reassert control over those computer systems. Now, AI systems require human input before they can carry out complex tasks. Those humans with the genetically engineered interface provide that input.

But wait! Not every interface is equal. Some interfaces provide better access and control of AI systems. The best interfaces are those possessed by the "imperial" family that are passed down to their children.

At some point, a commoner who lacks this interface gains enough governmental power to attempt to overthrow the entire system. He installs an authoritarian system to make things more "fair".

In the meantime, Chase just wanted to improve his position within the criminal world. Some judge tosses him into the Imperial Navy. Chase doesn't understand the judge's motivations. But he quickly adapts to the Navy and learns how to be useful.

His unit gets stuck in a sort of cryosleep. When they awaken, the unit discovers that they have been out of circulation for over a decade. The revolution has killed off the entire imperial family. Other "royals" are now forced to provide the control for the AI system; frequently at gunpoint. The new government is being about as effective as one might imagine.

And Chase might well be the most unlikely person in the universe with the possibility to influence the future.

A great story. Hard to put down. The author has put in a ton of work to make the plot logically consistent and interesting. There simply aren't any unexplained incidents.

I have two critical notes. The first is spelling and grammar. There were less than a dozen instances of poor spelling/grammar.

The second is the concept of "hot". As in "the smokin' hot babe sitting in my Camaro" type of hot. I've read several of this author's books. The women are always "hot". Brother, find a different way of describing women. This wouldn't have been an issue if I hadn't read those other books. But I did. And so it is an issue. Perhaps a minor issue, but an issue.

I will be nominating this book for the Best Novel category of the Hugo Awards of 2024. I think it is that good of a book despite my minor criticisms.

View all my reviews

Monday, November 13, 2023

Wha Choo Readin'?

A question/survey was running around on X the other day.  This one seemed a bit more interesting to me.  

Omitting collected works, who are the top 5 authors in your library by number of books on your shelves?

Stephen King ~15

E.E. Knight ~12

Christopher Nuttall 11

Dave Duncan 11

Miles Cameron 9

I included both physical and ebooks in my count.  Most of my Stephen King and E.E. Knight books were physical, so I don’t have an accurate count close to hand.

After considering it a little longer, I would probably have to include Piers Anthony on the list.  I owned a whole stack of his books before I figured out that some of his content was a little…erm…troubling.  And I wouldn’t want to drop Miles Cameron off of the list in favor of Piers.

If shared universes with multiple authors are included, then Dragonlance would easily make it into the top five.  Sorry, Miles.  That one would bump you off.

What are your top 5 authors of books you own?

The rest of the best is based almost exclusively on my ebook library and so it runs towards a younger author demographic.  I am loath to dig through my physical books to tally up those older authors, but I know there are a few that would be well deserving of inclusion here.

Margaret Weis and Tracy Hickman 10 - As a duo, which I took as violating the spirit of the question.

Nick Cole 8

Mark Lawrence 8

Emma Newman 6

Sebastien de Castell 6

Peter V. Brett 6

Martha Wells 6

SM Anderson 5

Frank Cho 5

Damien Black 4


Friday, November 3, 2023

Their Opinions Are Not Correct: Episode 133

They only vaguely seem to be opinions as there doesn't seem to be much in the way of fact going on.

Yes, I am listening to the "Our Opinions Are Correct" podcast by Charlie Jane Anders and Annalee Newitz.  Episode 133 features a discussion of Ayn Rand and her influence on Silicon Valley.  There are quite a few misrepresentations and misunderstandings in just the first 18 minutes.

One should be familiar with the relevant facts surrounding an issue before issuing opinions.  Their facts are sorely lacking.

As an initial observation, they routinely conflate Randian ideals with how Silicon Valley moguls behave.  No utopian vision is ever fully realized.  The personal flaws of Silicon Valley executives are not indictments of Ayn Rand's utopian ideals.  All utopian systems eventually fail to meet the challenges of reality.  

Early on, Ms. Anders suggests, and Ms. Newitz agrees, that Randian philosophy is centered on greed.  They assert that, under Randian economics/philosophy, people should take all that they can get.  That is a misrepresentation of Randian ideals.

The Randian ideal is that a person should be compensated based on the value that the deliver to the rest of society.  In a Randian world, the person who discovers a proven preventative for dementia (better still a cure) should receive a large amount of compensation because they will have provided a valuable benefit to everyone else.  By comparison, a person who flips burgers for a living should receive less compensation because the value they deliver is less.  For the record, I once flipped burgers for a living.  The Randian ideal is that the value of compensation should be driven by the just value the person has delivered.  That is not greed.  That is exchanging value for like value.

Later they refer to Rand's perception of governmental regulations are a funhouse mirror version of regulations.  They are implying that all government regulations are sensibly crafted and sensibly enforced.  That ends up being coupled with criticism of a "who is going to stop me" approach in favor of a "who gives me permission" perspective.

Ladies, welcome to America.  We are an exceptional nation.  The definition of "exceptional" being used here is [that we are] different from others; not better and not worse.  Where people of other nations must look to the government for guidance and permission before creating new and useful enterprises, Americans routinely express an absolute right to enter into such enterprises despite what the government (or other private competitors) may say about the matter.

We are glad you are here.  Please adjust your Overton window accordingly.

They discuss a plot point (I think in one of Rand's books) where the tax code is designed to keep the most successful companies constrained by limiting profitability.  Essentially, a successful company will pay more taxes so that less successful companies can compete.  They do acknowledge that "progressives" might want to nationalize some industries but suggest that no one is supporting a tax code with rates established based on how successful a company is.

Clearly, they do not understand how the US income tax code works.  It is a progressive code where the percentage of tax collected increases based on the amount of money that a person or a company makes.  There is a reason why so many companies and wealthy individuals spend so much effort to take advantage of the tax deductions to lower the amount of income that is considered taxable by the IRS.  Reducing the amount of taxable income not only lowers the amount of tax that is collected, it can shift the applicable tax bracket to one with a lower rate. 

If that isn't a good example of tax regulations limiting the income of successful companies so that less successful companies can "compete", then I don't know what is a good example.

There is a one-off comment about "crony capitalism".  Which, again, is a reference to the individual flaws of the barons of Silicon Valley rather than an integral component of the Randian utopia.  Most fans of Ms. Rand's books will point out that they include examples of crony capitalism being used to undermine individual freedom.

At one point, Ms. Newitz uses the phrase "individual authoritarianism".  The two halves of that term are mutually exclusive.  An authoritarian state immediately subsumes and supersedes the interests of the individual while a state that prioritizes the individual ultimately protects them from the authoritarian tendencies of the collective.  Ms. Newitz might well have uttered the phrases "dry water" or "military intelligence" or "healthy corpse".

They focused on William Hickman and his supposed influence on an unpublished story by Ayn Rand.  Hickman abducted, murdered, amputated, and disemboweled a young girl.  They suggested that Ms. Rand found Hickman to be worthy of admiration.  That is a misrepresentation of Ms. Rand's interest in Hickman.

I pause here to give our duo credit for knowing how Ayn Rand's work has influenced other creators through the years.  While they were obviously a bit more supportive of authors that wanted to engage in criticism of Rand's books, they were also aware of creators, such as the prog-rock band "Rush", that positively engaged with Randian ideas.

They noted that several Rush songs deal with dystopian worlds that illuminate Ayn Rand's perspectives.  One example given was the song "Red Barchetta" which tells the story of a young man who gets to drive his uncle's well-preserved car despite it being clearly against the law.

This song is immediately criticized as being in some way opposed to ecology.  That comment is reasonably related to another comment about Silicon Valley magnates retreating to their personal versions of Galt's Gulch as a dystopian world comes crashing down.

What I find curious is that they never seriously interrogate the context of Ms. Rand's philosophy.  They do note that she and her family suffered under communism and that Ms. Rand was able to escape to the west.  But they never explore why Ms. Rand was so passionate about her beliefs.

Socialism and communism have collectively been responsible for over 100,000,000 government-imposed deaths.  On a per capita basis, that far exceeds every other type of government available to modern humanity.  Ayn Rand personally tasted the fruits of socialism/communism.  Those experiences informed her passion for supporting the principle of valuing the individual and individual liberty above the interests of the collective.

Our hosts never seriously consider the idea that there is an alternate ideology being fostered in our culture.  They never engage with the question of which ideology, the Randian utopia or the collectivist utopia, provides the better prospect for improving the human condition.

In my experience, discussions of popular leftist talking points are rarely about specific issues.  Instead, they are part of a larger narrative that is opposed to individual autonomy.  Discussions about climate change are rarely about climate change alone.  Instead, they are about limiting the freedom of movement afforded an individual who owns their own car.  The objective of climate alarmists is to make car ownership unaffordable so that people will then either be coupled to a specific location or dependent upon government-managed mass transportation systems.

"Red Barchetta" is about a "better managed time" where the individual need not seek the permission and assistance of the government to move about the country.  Again, welcome to America, ladies.  Where no individual ever needs to ask permission from the state before exercising their rights.

Likewise, the fantasist visions of a Randian Galt's Gulch exist only within the context of a society that is embracing the predictably destructive ideals of socialism/communism.  No one needs to retreat to a fortress if a mob isn't using the permission structure of government action to seize the wealth, livelihoods, and lives of those who have earned their position in the world.

Later, they invited UCSD professor and philosopher Matt Zwolinski and author Matt Ruff to comment.  Professor Zwolinski does yeoman's work by correcting their misconceptions of Ayn Rand's philosophy.  It appears to me that the ladies did not expect to encounter someone who could accurately present and engage with Randian ideals.  Mr. Ruff is certainly a critic of Randian ideals, but he demonstrates an equal commitment to accurately present them before he engages in a critique.  Our hosts found both gentlemen's perspectives a bit baffling.  They did not seem to perceive any value in accurately representing Ms. Rand's perspective.

Outside of their commentary, I find their use of audio intros/outros/stingers unimpressive  Most of that music is pretty cool.  But the podcast is mixed so that they have hard starts and stops without any fading.  It is very disjointed.  Adding just a bit of fading so the music modestly overlaps the commentary would improve the listener experience.

While I did complete listening to this episode, I believe I will skip the next episode that I had previously added to the queue.  That episode is from 2021 and is regarding JK Rowling.  Given the duo's inability to accurately present Ayn Rand's philosophy, I have no doubt that they will be unable to do any better with Ms. Rowling.

An effective polemicist should be able to accurately present a position before engaging in criticism of that position.  As someone who wanders between conservative and libertarian perspectives, I am well acquainted with the arguments that are offered in favor of various leftist initiatives and can generally offer an accurate representation of leftist positions.  In my experience, leftists are rarely able to do likewise for conservative or libertarian perspectives.  

My experiences are bolstered by surveys suggesting that leftist ideas can be reasonably stated by people of almost every perspective while leftists are rarely able to return the favor.

I will be skipping this podcast for the foreseeable future.  Ms. Anders and Ms. Newitz cannot engage with difficult issues in good faith.  They can only engage when faced with a person-of-hay of their own fabrication.

Nothing to see here.  Move along.  Move along.

Monday, October 30, 2023

When Greta Meets Reality

 Courtesy of Mad Mike via Tom Kratman


Thursday, October 26, 2023

Poetic Timbre and Root

I was recently participating in a discussion about using poetry/songs as part of non-poetry-based stories.  One primary example was the many people who complain about the poems/songs that are part of The Lord Of The Rings by J.R.R. Tolkien. 

I generally do not enjoy seeing poems/songs in narrative fiction. That is mostly because the poems/songs are passive methods of integrating a backstory that could be accomplished more effectively via other means.

I'm not a big fan of poetry in general because poetry in an educational setting was presented as a decoding challenge where the reader is expected to have sufficient knowledge to understand obscure contextual references or "cute" phrasing. In my experience, the effort expended acquiring that knowledge rarely justified the experience of decoding the context or appreciating the "cute" phrasing. My Junior High humanities teacher always got the vapors over the poetry he used in class. I found those poems underwhelming.

As an example, I recall a poem that was ostensibly about the supposed beauty of lapis lazuli; a semi-precious stone.  There were several pages containing stanza after stanza about a hunk of rock.  Ostensibly, lapis lazuli was actually a subtext for something else.  All the clues were there if the reader had sufficient knowledge to decode plain text to reveal the subtext.

It may be that the type of poetry matters in establishing a connection with the reader.  I generally enjoy (and have collected) the poetry of e.e. cummings. I have a volume of Robert Frost's poetry at my bedside that I read and enjoy occasionally. And there are some epic poems (such as The Song of Roland) that I really got into.

Poetry is a form of expression with rules, traditions, and tropes that rarely connect with me. It is difficult for an author to make effective use of poetry/songs in actively moving the narrative of a larger non-poetic narrative forward.  I've read the songs in the Lord Of The Rings. Those songs are (for me) an extended aside that does little to move the story along; a respite from an active story that offers passive illumination of characters.

That has generally been my experience with most poetry/songs that are included in larger, non-poetic tales.