Jimmy Webb - American Songwriter With Many Connections To Genre Fiction

 

Jimmy Webb is a songwriter, composer, and singer with a long and storied history within the music business. The son of a US Marine veteran of the WWII island hopping campaign against Imperial Japan and Baptist preacher, Jimmy began his career working by crafting songs for various Motown artists. 

His work was performed by a wide range of artists including Vikki Carr, The 5th Dimension, and The Supremes. He developed a close relationship with singer Glen Campbell whose performances of "Galveston", "By The Time I Get To Phoenix", and "Wichita Lineman" became standards in the American songbook. 

Glen Campbell also popularized the Jimmy Webb song "Highwayman" which includes an interstellar reference:

I fly a starship 
Across the Universe divide
And when I reach the other side
I'll find a place to rest my spirit if I can

Jimmy's relationship with genre figures includes the late Richard Harris who was the first incarnation of Dumbledore in the Harry Potter movies. It was Richard Harris' recording of "MacArthur Park" that first popularized that song. Harris was nominated for a Grammy Award in 1968 for the best pop male vocal performance of "MacArthur Park". [Also nominated were Glen Campbell for another Jimmy Webb song "Wichita Lineman" and the ultimate winner in the category José Feliciano who covered The Doors' "Light My Fire".] 

Harris' version of MacArthur Park went to number 2 on the Hot 100 chart. Webb's only number one hit in his career was when Donna Summer's version went to the top of the chart. 

Jimmy Webb proceeded to write and produce two full albums of music performed by Richard Harris. The first album released in 1968 was the Grammy nominated A Tramp Shining album. The second album "The Yard Went On Forever" was released later the same year. 

As evidenced by the starship reference in "Highwayman", Jimmy has had a long relationship with genre fiction. 

A long-time fan of Robert A. Heinlein, Webb proceeded to write "The Moon Is A Hard Mistress". Robert Heinlein offered to opposition to using that name for the song. 

The song is more of a love song than a paean to science fiction with the moon representing a woman who is hard to hold in love.

"The moon's a harsh mistress
And the sky is made of stone
The moon's a harsh mistress
She's hard to call your own"

The song was first performed by Joe Cocker and has been subsequently recorded 30 times by artists including Glen Campbell (natch!), Pat Metheny, Linda Ronstadt, Joan Baez, and Maureen McGovern. 

Jimmy Webb talked about his relationship with genre fiction and Robert A. Heinlein specifically in a 2009 interview for Penny Black Music by Lisa Torem.

Penny Black Music: Another beautiful ballad ‘The Moon is a Harsh Mistress’ (1977, 'El Mirage’, Rhino Handmade) was inspired by science- fiction literature. Does literature often inspire you?

Jimmy Webb: Well, it always has. In that particular case, you know, Robert Heinlein, was a kind of early mentor of mine. I started reading his books when I was eight years old. He really wrote juvenile novels – ‘Starship Trooper.’ But, he had a lot of political content and sociological content. I guess I was really getting more of my education out of science-fiction than out of public school. I was reading Ray Bradbury and Isaac Asimov and learning a great deal about the patois of the language itself and how these words were being used to create emotions. I was learning this from writers without even knowing it.

And since science-fiction is my cup of tea and I don’t think I turned out to be wrong – I think it’s dominated the film industry over the past few years and it turned out to be a legitimate form of expression.

When I first started reading sci-fi they were debating whether it as a legitimate art-form. I’m not going to get into that…

This isn’t really art – these are just stories that people make up. People like Arthur C. Clarke invented the communications satellite and Jules Verne – as a visionary – what they were was futurists. And so what I was doing was looking with a glazed look on my face and my father would say, “Where are you now, Jimmy?”

But, I guess I always knew that. ‘The Moon is a Harsh Mistress’ was one of the best titles I’ve ever heard in my life. I really am guilty of appropriating something from another writer. In this case I had contact with Robert A. Heinlein’s attornies. I said, “I want to write a song with the title, ‘The Moon is a Harsh Mistress.’ Can you ask Mr. Heinlein if it’s okay with him?” They called me back and he said he had no objection to it.