The Election 2016

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Posted on : 10/17/2016 04:39:00 PM | By : Dann | In : , , ,

Like most of the rest of the U.S., this election has me shaking my damned head.  This year has been the worst in my lifetime in terms of the dearth of candidate character and substituting personal attacks for rational debate of the issues.

I usually have post-election thoughts that I share every four years.  But I see no need to wait.  I'll share them now and then intend to take the next month off of political/election oriented reading and writing.

Soooooo, here we go.

On Donald Trump:  We may well wake up on November 9th with Mr. Trump as our President-elect.  If so, then he will be my President.  I will support his policies when I can and respectfully oppose them when I cannot.  I will criticize him when he steps outside of the law and/or otherwise fails our Constitution.  But it will be done with respect and without vitriol to the best of my ability.

All elections matter.  If Mr. Trump wins, then he will be my President.

On Hillary Clinton:  We probably will wake up on November 9th with Mrs. Clinton as our President-elect.  If so, then she will be my President.  I will support her policies when I can and respectfully oppose them when I cannot.  I will criticize her when she steps outside of the law and/or otherwise fails our Constitution.  But it will be done with respect and without vitriol to the best of my ability.

All elections matter.  If Mrs. Clinton wins, then she will be my President.

On the GOP:  I'm not looking to change your vote.  However, your candidate is heavily flawed.  He's about as attractive as a bucket of warm moose drool.  If you cannot identify and understand those flaws, then you are part of the problem with American politics these days.

You had other choices.  You had a whole raft of other choices running from John Kasich to Marco Rubio to Carly Fiorina.  Any of them would have left Mrs. Clinton in the dust.  And you opted for a bucket of warm moose drool.

When your candidate loses, don't look at the rest of us.  Take a good long look at yourselves.

On the Democrats:  I'm not looking to change your vote, either.  However, your candidate is heavily flawed.  She's about as attractive as a bucket of warm pig drool.  If you cannot identify and understand those flaws, then you are part of the problem with American politics these days.

You had other choices.  Jim Webb would have been a solid candidate that would have left Mr. Trump in the dust.  You have an entire party of worthwhile candidates.  And you opted for a bucket of warm pig drool.

When your candidate loses, don't look at the rest of us.  Take a good long look at yourselves.

On buckets of drool:  If you are interested in debating the relative merits of moose drool vs. pig drool, then you are also part of the problem with American politics these days.

ETA - well crap.  You always forget a couple things.

On those threatening to leave:  So you have threatened to leave the U.S. if your candidate doesn't win the Presidency.  Samuel Adams covered this quite well.
"...May your chains set lightly upon you, and may posterity forget that you were our countrymen."
You haven't got what it takes to be an American.

I enjoy a wealth of acquaintances and friends from across the political spectrum.  We argue.  We fight...rhetorically.  To a person, every single one of them is an American in their heart and in their head.  The(y) love freedom even though we disagree on the best means of pursuing that freedom.

There are millions of people that have immigrated to the U.S. in pursuit of that freedom.  People from Iran and Iraq and other parts of the Middle East that are fed up with living under various flavor of dictatorship; theocratic or otherwise.  Millions more have come from south of our border to escape dictatorships, oligarchies, kleptocracies and other offenses to the cause of individual liberty.

And you know what?  Millions more have the same unquenchable thirst for freedom.  They have in their heads and in their hearts the desire to be left to live their lives in peace and liberty and away from the bullying nose of government.

And if you lack that thirst, then please find the nearest exit.  Leave your citizenship at the door.  You don't have what it takes.
"If ye love wealth better than liberty, the tranquility of servitude better than the animating contest of freedom, go home from us in peace.  We ask not your counsels or your arms. Crouch down and lick the hands which feed you.  May your chains set lightly upon you, and may posterity forget that you were our countrymen. - Samuel Adams"
On those threatening to move to Canada:  You have a particularly ignorant and racist position there.

It is ignorant in that Canada has some pretty strict rules for immigration when compared with the U.S.  They want young people with skills and/or education to be in their labor force for a long time.  The old, uneducated, and unskilled need not apply.  The election of either of the major candidates will not qualify you as a political refugee in any place beyond your imagination.

It is racist in that these folks never threaten to move to Mexico.  As most of the "or I'm moving to Canada" folks seem to be quite a bit left of center, I'm also surprised that they don't want to move to the Chavista paradise that is Venezuela.  They have bucket loads of that "democratic socialism" down there.  And yet they almost always offer to move to Canada.....or less often to "Europe".

They never offer to move to a place where they could use their skills and education to improve life for the people in their new country.  Must be too many brown skinned people for their taste.

Review: The Grim Company

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Posted on : 10/13/2016 04:31:00 PM | By : Dann | In : , ,

The Grim Company The Grim Company by Luke Scull
My rating: 2 of 5 stars

2 stars. Did not finish. Made it about 12% through. Mostly cardboard characters. Lots of telling without much showing. Standard adventure fare without any compelling character or plot lines to hold my attention.

View all my reviews

Review: The Children of Húrin

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Posted on : 9/22/2016 09:31:00 AM | By : Dann

The Children of Húrin The Children of Húrin by J.R.R. Tolkien
My rating: 3 of 5 stars

A fair book that does not compare well with the Hobbit or LotR. So if you are looking for that level of Tolkien story-telling, this book will be a bit of a disappointment.

It presents a couple of good stories that contain an excess amount of exposition. It also presents some story fragments that were clearly not previously published for good reason.

A good book for hard core Tolkien fans. Not so good for a casual reader expecting a fully developed story.

View all my reviews

2016 Hugos - Fancast

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Posted on : 7/08/2016 03:12:00 PM | By : Dann | In : , , ,


Cane and Rinse - No episode specified in the nomination.  Sampled Episode 197 from 10/11/2015 covering Halo 4.

Can and Rinse reviews various video games.  They had been reviewing the entire series of Halo games.  Previously, my primary experience was with Halo CE which I enjoyed a great deal.

The hosts did a great job of sharing the "air time" and providing individual perspectives on Halo 4.  They were entertaining and informative.

In fact, I went searching on their website for podcast commentary regarding a couple other games as a result.  Unfortunately, either they have yet to cover those games via podcast, or the GUI for their search results is cluttered to the point of obfuscation.

Were I spending more time playing games, I would definitely subscribe to this podcast.

The Rageaholic - No episode specified.  Sampled:


The Rageaholic appears to be a persona of a stereotypical person that lives in their parent's basement known as RazörFist.  The presentation style is borderline hyperventilating and spittle flying rage; hence one supposes the "Rage" in Rageaholic.

Surprisingly, he loved Jessica Jones for the most part.  He had little use for flipping one manipulative male character into being a manipulative lesbian character.  He thought Carrie Ann Moss' acting salvaged that change to the plot.  His general perspective seemed to be along the line of suggesting that people should worry more about telling a compelling story and less about the supporting/non-critical elements that get incorporated.

He also loved Sudden Impact.  That was unsurprising based on the persona.

In the review of Skyrim Online, his chief complaint was that the software publisher had taken everything that was interesting about Skyrim and chucked it aside in order to make something that was played online.

The gaming journalism was the weakest of the four episodes I sampled.  Central to his argument was that the percentage of magazine pages dedicated to promoting the products being reviewed was significantly higher in gaming oriented publications.

While I would not want a steady diet of this persona, these videos were entertaining and engaging.  I can understand why someone would subscribe to them.

HelloGreedo - No episode specified.  Sampled:

The podcast features a presenter named Greedo wearing a storm trooper helmet(!) who discusses various aspects of the Star Wars franchise.  In general, his presentation is lucid and passionate without going overboard.  Greedo has a speaking style that conveys his interest in a clear and measured speaking style.  It is clear that our host is thoroughly invested in the Star Wars 'verse.  

In the first episode I sampled, Greedo breaks down a series of deleted scenes and why (or why not) their omission from the final film served the interest of telling a compelling story.  It was an interesting look at some of the editorial decisions that were made in putting the story together.

The second episode was a fannish treatment of the trailer for The Force Awakens that could be best summarized as "I love Star Wars and this trailer designed to appeal to people that love Star Wars appeals to me a great deal".  The substance of the commentary wasn't all that great.  But the presentation was good.

The final episode I sampled broken down all of the issues surrounding the plot...or lack thereof...in The Phantom Menace.  Given the megabytes that have been written excoriating this installment of the franchise, none of Greedo's were all that surprising.  But again, his presentation was excellent.


Tales to Terrify - No episode specified in the nomination.  Sampled episodes 164 and 204.

Tales to Terrify is essentially a reading of selected short horror stories.  Episode 164 wasn't really terrifying, but one story was definitely disgusting.  I'm not sure if the characters were supposed to be self-aware zombies that were subjected to all manner of abuse, or people held captive for zombie food that were subjected to all manner of abuse, or just people held captive that were abused.  But there was a lot of abuse going on.  I bailed on episode 164 after the n-th iteration of "arseholes leaking shit, blood, and cum".

Episode 204 was much better. The two stories presented were Angela Slatter's Sourdough and Patrick O'Neill's Underwriting Department.  Both were well written and well read.  While not necessarily terrifying, they fit within the horror/fantasy spectrum quite well.

The presentation in both episodes was good but not great.  Having a couple more readers to create more of a radio theater experience might have improved things.  The editorial decisions for Episode 164 certainly weighed into my ranking for the Hugo Awards this year.

NO AWARD

8>4 Play Japan Game Panic - No episode specified in the nomination.  Sampled Happy Little Cloud from 11/13/2015.

Quite frankly, this podcast was a mess.  All four (?) of the hosts were talking over one another and none of them really had much to add to the conversation.

This episode seemed to focus on classic/older games from the 1990s.  Mostly it was a case of "I own this, you own that, how neat is that".  I was neither entertained nor informed by this podcast.  It reminded me heavily of last year's Galactic Suburbia Podcast; the eventual winner for 2015 that I put below "No Award".


Precisely How Elite Are They?

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Posted on : 6/28/2016 05:27:00 PM | By : Dann | In : , , ,

A number of thoughts come to mind in the wake of the British referendum on leaving the European Union as well as events in this year's US Presidential elections.

Central to those conflicts, large and small, is the perceived sense of self-worth of the self-described elites; the folks whose opinion should matter just a little more than the hoi polloi.  The suggestion is that the world would be better off if we let those elites offer a bit firmer guidance in the affairs of state.

This perspective is shockingly highlighted by the usually progressive....more accurately socialist leaning....Rolling Stone magazine.  Matt Taibbi's article suggests that the reaction to Brexit justifies why Brexit became an issue in the first place.

The overall message in every case is the same: Let us handle things.

But whatever, let's assume that the Brexit voters, like Trump voters, are wrong, ignorant, dangerous and unjustified.

Even stipulating to that, the reaction to both Brexit and Trump reveals a problem potentially more serious than either Brexit or the Trump campaign. It's become perilously fashionable all over the Western world to reach for non-democratic solutions whenever society drifts in a direction people don't like. Here in America the problem is snowballing on both the right and the left.

Even the quote from Mr. Taibbi illustrates the sort of non-self-aware perspective that pervades the leftist perspective.  It is most certainly undeniable that Mr. Trump has used indelicate language on the subject of race on mulitple occasions; specifically in commenting on American immigration policies..  It is equally undeniable that blatantly racist individuals and groups have come out of the proverbial woodwork in support of Mr. Trump.  Similarly, there were racists supporting the Brexit initiative.

Mr. Taibbi fails, as do many critics of Mr. Trump, when he conflates the small but vocal racist component with the respective larger movements.

Permit me to pause here to note that I didn't have any position on Brexit...that is for British citizens to decide....and I am 99+% certain to vote for Gary Johnson in the U.S. Presidential election this fall.  Back to the issue at hand.....

What Mr. Taibbi and those critics fail to understand is that the U.S. government has the authority and the responsibility to determine who gets to immigrate into our country.  There is nothing racist with expecting that immigrants obey our immigration laws.  There is nothing racist with the expectation that potential new citizens abandon the governmental traditions of their home nations in favor of the governmental traditions expressed by the Constitution of the United States.

I possess a passion for the US Constitution.  It describes a limited scope of authority for the federal government and presents an expansive view of individual liberty.  American liberals have generally been successful on those issues that can be properly framed as pursuing the interest of individual liberty.  American conservatives have similarly been successful on issues that are framed by the Constitution's limits on the size and scope of government.

The Constitution is the rhetorical DNA of the American political system.  America succeeds when the plain language of the Constitution succeeds.  We falter when that same language is subverted.

A similar perspective applies in the case of Brexit where an unelected and largely unconstrained government in Brussels perceives itself to be superior to the founding documents of the British commonwealth.  The British people have the reasonable expectation that they will be governed in a manner consistent with which they have previously given their consent.

Michael Totten, an author I hold in high esteem, offered his perspective on Brexit.

If I lived in the United Kingdom, I would have voted to Remain in the EU, but it’s not hard to see why the majority voted to Leave. I wouldn’t want the United States to join the EU for the same reasons the Brexiters want out of it.

The EU is a brilliant idea. Unite splendidly diverse yet like-minded nations into a powerful bloc that’s greater than the sum of its parts. Provide minimum standards and guidelines for countries that aren’t as advanced (such as Greece and Romania). Pull down trade barriers and do business in a common market. Open up job opportunities and leg-stretching room for all. (I wouldn’t want to be confined to a place as cramped as Belgium for the rest of my life, but I’m one of those cosmopolitan "elites" everyone likes to complain about nowadays.)

The actually existing EU, though, isn’t so brilliant. It includes all the good stuff, yet it’s crushed by a staggering amount of centralized regulatory bureaucracy and a disregard for the wishes of its individual member states. It’s hardly a gulag empire, but it’s autocratic enough that Europe’s democracy deficit has its own Wikipedia page.

Mr. Totten is what I consider to be liberal of the old-school variety; open-minded and tolerant.  While I suspect that we would disagree on some of the particulars that describe an appropriate level of government, we most definitely agree on the basic instrument of the role of the people in establishing and maintaining that government.

It is regrettable to note that the "elites" have little interest in analyzing where they went wrong.  Instead they work for another referendum, another election, another opportunity to get an answer of which they approve.  If only we can give them enough time, they will develop a system of mathematics that will let two plus two equal five.

In their minds, the only election that matters is the one they win.

I do have to offer some appreciation for former President Bill Clinton in his response to the 1994 elections that saw both houses of the US Congress to the Republicans.  Rather than dig in his heels, he eventually modified his agenda to work with the Congress.  The Republicans did the same.  It wasn't perfect, as illustrated by the government shut-down.  But Mr. Clinton did demonstrate an appreciation for the fact that ALL elections matter; not just the one that he won.

In contrast, American leftists only seem to care about Mr. Obama's election.  Mr. Obama himself has demonstrated little interest in working with Congress to achieve whatever might be possible within two very different philosophical agendas.  Hence the his lack of success when compared with Mr. Clinton.

While I would certainly disagree with the average Briton about what constitutes an appropriate level of government, I wholeheartedly agree that the perspective of the average voter ought to influence the actions of government.  When a government undermines the legitimate objectives of all people to freely pursue a satisfying life, those same people have the right to change their government, or institute a new one, in a manner that to them shall seem most likely to effect their Safety and Happiness.

When the elites in government lose the tangible supports of the average citizen, it is incumbent upon those elites to undertake serious self-evaluation and reflection on their actions and whether or not they have been good stewards of the public interest.  Their first step should not be to change the rules of the game so as to ensure a different (electoral) result.  Their purpose should be to respond in a manner that is above the brown-shirts attacking people peaceably attending political rallies in California.  It shouldn't be to join them.

*modestly edited 6/29/2016

Stand-up Philosophy Or Bullshit Art?

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Posted on : 6/10/2016 04:12:00 PM | By : Dann | In : , ,


This just came to me today, but someone else might have come up with it already.  Enjoy....

That Good Story

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Posted on : 5/19/2016 03:38:00 PM | By : Dann | In : , , ,

In a conversation I am having at File 770, I was asked to define what makes a science fiction/fantasy book "great" for me.  Rather than losing these radiant pearls of wisdom to the effluence of teh intertoobery, I thought I would cement them here in my personal record.

As this is the season of Hugo 2016, there will be some references to the current finalists for Best Novel as well as others from the recent past.

[In looking at my examples, it might appear that I am unfairly focused on N.K. Jemisin's work.  I am not.

I just finished her book "The Fifth Season" as part of my reading for the Hugo awards and thus it is simply the most current example with which people may be familiar.  I enjoyed that book a great deal.  I'm glad that I bought it.  I wish her every success in the future.  She has some work to do before her work should be considered the best of the best, IMHO.  added afterwards - ed.]

You may find the following links to other blog entries to be useful as well.

I Have Already Read Something Better

Naming the Names (books that were not as good as those in the first link, IMHO)

I know that the following is numbered.  Don't think of them as being particularly prioritized in that order.

1.  It Works For Me

Every book has a certain un-quantifiable factor, a je ne sais quoi if you will permit, that engages the reader in a unique, ethereal bond of the soul.  What moves me at my deepest core (or in the case of MilSF, my corps) may not be nearly as impressive for another individual.

Another person who does not enjoy a of similarly satisfying experience with a given book is not defective.  They might well be defective, but that difference of opinion about a book isn't enough to define the defect.  The same works in the other direction as well, or at least it should.

But that isn't really very definitive, so perhaps we should look at factors that are more je sais quoi instead.

2.  Take Me Some Place New

We have all ready books about elves and dwarves and tentacled gods from other dimensions and interstellar navies and armored soldiers.  There are a couple thousand new books in the genre being published each year.  Coming up with something genuinely new is pretty hard.  So make it a new twist on an old trope.  Or use a different configuration of old tropes.  Just do not follow the herd.

Just imagine how many fewer sparkly vampire novels we would have if more writers followed that sage advice.

3.  Focus On Interesting Characters

I'm not terribly interested in what characters look like.  Get them dressed/undressed as the story demands and we can move on.  What is interesting are the motivations and actions of those characters as they unfold in the story.

This is where "The Goblin Emperor" fell down just a bit for me.  There was an awful lot of focus jewelry and other adornments that had did not do much for me in terms of character/plot development.  Some of that activity was certainly required to tell the story, but at some point it detracted from my experience with the book.

4.  Value Humanity/Value The Individual

This is where I think Robert Heinlein shined.  He put the focus on valuing the individual rather than talking about groups.

N.K. Jemisin's "The Fifth Season" was a very enjoyable read.  But I have already read something better....link above.  One area where her book feel fell short for me was the emphasis on class/caste structures.  Very few had problems with class/caste structures existing.  The ones we followed had more of a problem with the way those structures were being administered.

There was also a minor theme where the refugees/pirates had some sort of communal lifestyle where all cooking was done daily by one smaller group for the larger group.  They were detailed (in a manner akin to a command economy) to that task.  Child care was also communal.  And I mention "pirates" as that is precisely what they were; remorselessly stealing the wealth produced by others.

"Socialism" is truly the economic system of fantasy writing as fantasy literature is the only place where it can produce desirable results.  When socialism stops being evil in reality, then I'll adopt a different attitude towards socialism in fiction.

4.  Be Tied To Reality In Some Way

SF/F stretches the boundaries of human conception for the purpose of giving us new ways of thinking about old issues.  That is a property that makes the genre so influential and satisfying.  However, there should always be some useful connection between the fictional characters/story and real human interactions.

Jim Butcher's "The Aeronaut's Windlass" did a very credible job of using the unusual circumstances of his imagined world to talk about a bit about race/class issues.  He did so in a way that didn't beat the reader over the head.  He was also able to create feelings of empathy for both of the military groups present within the story.  At the very least, you could understand/appreciate some of the motivations of the "bad guys" group even if you disagreed with the actions they ended up taking.

Naomi Novik's "Uprooted" accomplished much the same thing towards the end when you got a chance to examine the experiences of the "evil" forest from their perspective.

5.  Show A Sense Of Humor...or Humour

Give me a reason to smile.  Even in the grim darkiest of the grim dark sub-genre there are examples of humor used to help lighten the mood.  Humor also serves to provide a contrast that highlights the more serious events experienced by the characters.

Joe Ambercrombie's "The First Law" trilogy contains characters that use a fair amount of humor....typically gallows humor....to help them get through the challenges in their lives.  Sebastien de Castell's deft use of humor in his "Greatcoats" series provides such a tremendous contrast that his books had me in tears over the breaking of his characters.

Real....live....man....tears.

N.K. Jemisin's "The Fifth Season" lacked an appreciable amount of humor and as a result my experience suffered.

6.  Show Don't Tell

SF/F works traditionally involve a fair amount of info dumping.  Topics ranging from orbital mechanics to computer based intelligence to sword play to the function of gemstones as a power source are generally beyond the daily experience of the average reader.  So the author has to draw the reader into their fictional world by describing what makes that world work.

One way of describing that fictional world is to dump pages and pages of dry dissertation, treatise, and exposition on the reader.  Erg.

Another method is to have one of the characters experience the limitations of the fictional world as a way of giving the reader a window into those limitations.

I have generally shied away from the steampunk genre precisely because they involve a fair amount of info dumping.  That process has generally been along the lines of "Look!  Gemstones!  Chemicals!  Miraculous hand-waving!  Stuff happens!"  Given how well I can suspend disbelief for tales involving magic, you would think that I could get past that sort of hand-waving.  Alas no.  So I haven't delved deeply into that sub-genre.

This year's Hugo nominee, "The Aeronaut's Windlass" by Jim Butcher, involves some heavy steampunk elements.  But he limited the info dumping and had most of it occur in conjunction with events experienced by his characters.  He did a good job of making his steampunk elements seem credible and translating them to the reader in a convincing manner.

Another Hugo nominee that has thus far (I'm still reading it) done a credible job with info dumping is Neal Stephenson's "Seveneves".

In comparison with those two novels, Ms. Jemisin's "The Fifth Season" made greater use of the dry expository passage approach.

7.  Stay Away From Check Boxes

Whoo boy.  I can smell trouble burning at the other end of the wire already.

"Check box" fiction really undermines the quality of my reading experience.  What is "check box" fiction?  It is a story that includes elements indicating diversity in the cast of characters that has zero impact on the the story.

In a reverse of the above, I'd like to suggest N.K. Jemisin's "The Fifth Season" as a good example of not doing "check box" fiction.  One cluster of protagonists included a character that is straight, one that is seemingly bi-sexual, and one that is decidedly homosexual.  They have a three-way.

And while the more patently descriptive passages of those events didn't do much for me, the fact that their respective sexuality helped inform their motivations and moved the story forward made the effort in describing their sexuality worthwhile reading.  She also did a reasonable job at expressing how physical appearances differed based on regionalism.  [There were one or two other moments that could be considered "check box(es)", but for the most part it wasn't a factor in this book.]

IMHO, including a character that is "different" without having that difference impact the story is at the very least a waste of time that detracts from the story and at the very worst insultingly dismissive of the people that possess the same characters characteristics.

Unfortunately, there has been a developing trend where authors appear to think that including such elements is the same thing as quality story-telling.  Water is still wet.  People still exist in a multiplicity of skin tones and gender identities.  If they story takes place in the desert, then we should probably be focused on something other than how wet water can be.

And yes, I realize that the absence of water spoils the analogy.  Work with me on this.

8.  Tell A Good Story


That heading seems about as nebulous as the first one, no?  But it isn't.

A lot of writers have "big ideas" about "meaningful stories".  Which is fine.

Don't let those big ideas get in the way of good story-telling.  Given the option of reading an engaging story without deep meaning or an OK story with deep meaning, I'd rather read the engaging story.

The Dragonlance series written/shepherded by Margaret Weis and Tracy Hickman includes good examples of good story-telling.  Some of those stories had some sub-textual themes.  Mostly they were just entertaining.

And I loved almost every book from that fictional world that I read.  In fact I would take "Dragons of Winter Night" and/or "Dragons of Spring Dawning" over Orson Scott Card's "Ender's Game" precisely because they are better told stories.  (I haven't read all of the books from the Dragonlance 'verse, but of those that I did read, the stinkers were few and far between.)

Tell a good story.  Make the characters interesting.  Make the factors of their personality matter to the story.  Let the characters experience the world instead of dropping endless pages of exposition.  Don't add characterizations if those characterizations do not have an impact on the story arc.  Have a sense of humor.  Place a high value on individuals.  Have a tie to reality so that the story is relevant outside of itself.

Do this and I will enjoy your book.  Do it not and I probably will not.

Pardon me whilst I don my asbestos Underoos.....